Review: "Church Music", David Crowder*Band



I just finished listening to Church Music, the new David Crowder album. I think it is their best album to date.

According to Wikipedia:

The album runs continuously with no gaps between tracks, essentially creating a 73 minute song. To do this the band sequenced the tracks before anything had been recorded so keys and tempos could be finalized. According to David Crowder, ""We programmed the album first, forcing ourselves to write from the track up, and then, after the song emerged, we dismantled it, replacing much of the programming with live instrumentation but leaving the fundamentals that the song emerged from intact."

Listening to the album from beginning to end, you get the sense that the writing process created fundamental changes in the band's approach to style and genre. While still rooted firmly in sequencing and sampling, as has become DC*B's bread and butter, much of the acoustic flavor of their earlier work has been replaced by dark and dense guitar and synth soundscapes. The album's power is magnified by the band's attention to intensity and dynamic range. Songs often soar to maximum heights just before the instrumentation drops away to reveal previously unnoticed underlying tracks. The album pulses with a rising and falling from track to track, but all the while continuing to build from beginning to end.

For me, the record climaxes at track 16 with (dare I say it) the heaviest song on the album, "God Almighty, None Compares", a nearly seven minute minor key clinic of time changes, heavy electric guitar hooks, and a wailing Hammet-esque wah solo on the outro. This is not your typical David Crowder*Band album, if there ever has been such a thing. Gosh there's even a funk number on the album, "Church Music - Dance [!]". The funk guitar work is great, the 70s disco string hits don't feel out of place, the distorted synth bass figure keeps it current...

Another standout track for me is "How He Loves". The crowded coffee shop background noise cements a sense of community and shared experience that fits perfectly with the lyrics.

"And we are His portion and He is our prize, Drawn to redemption by the grace in His eyes, If his grace is an ocean, we’re all sinking. And heaven meets earth like an unforeseen kiss, And my heart turns violently inside of my chest, I don’t have time to maintain these regrets, When I think about, the way He loves us, Oh how He loves us, Oh how He loves..."

When so many CCM lyrics sound like middle school love poems, Crowder's lyrics rise above, reaching artistic and theological heights seldom heard. And I'm happy to say that the music on this album is more than an equal match for the lyrics. The license and creative freedom enjoyed by DC*B to pursue their muse is to be admired. Church Music is quite an achievement in this sense. From the original tracking and writing process down to the final outcome, the album is risky, and it succeeds.

One nitpick: I am not the greatest fan of the overcompressed brick wall limiting that has become almost standard practice in the music industry. The loudness wars have had a drastic effect on the dynamic quality of modern recordings over the last several years, and unfortunately this album goes too far with it at times. Although Church Music is far the worst perpetrator of recent date (the effect is not found throughout the album, and at times I found it to be musically pleasing, creating intensity and power in some key passages), still I found my ears tiring from the extreme compression during certain sustained sections.

Track listing

1. "Phos Hilaron [Hail Gladdening Light]" - 2:06
2. "Alleluia, Sing" - 4:30
3. "The Nearness" - 3:55
4. "Shadows" - 3:26
5. "Eastern Hymn" - 6:26
6. "SMS [Shine]" - 3:18
7. "The Veil" - 4:19
8. "We Are Loved" - 4:17
9. "All Around Me" (Flyleaf cover) - 4:37
10. "How He Loves" (John Mark McMillan cover) - 5:19
11. "Can I Lie" - 3:24
12. "Birmingham [We Are Safe]" - 3:38
13. "Church Music - Dance [!]" - 3:52
14. "What A Miracle" - 3:41
15. "Oh, Happiness" - 3:17
16. "God Almighty, None Compares" - 6:51
17. "In The End [O Resplendent Light!]" - 6:53

7 comments:

David Golden said...

Good to see you blogging again. I was about to email you to say that I missed reading your posts. I love the concept of the through-composed album because our musical culture now is so anti-album. I asked friends on FB about downloading individual songs vs. buying a whole cd, and I was surprised by the split in opinions about that, which was not neatly divided along generational lines as I thought it would be. I am definitely "pro-album," but I recognize that the days of Sgt. Pepper and Dark Side of the Moon are behind us, at least for now. Maybe there will be more creations like this one from DCB, and the pendulum will swing the other way again. In proofreading mode: I think you left out a word, and meant to say "... far FROM the worst perpetrator..."

Matt Hartzell said...

I haven't picked up the album yet but I'm super pumped for it!

dave said...

great review, great blog.

Just FYI, Crowder did not write the lyrics for "How He loves"

Amazing story behind the song told her by the songwriter at link below.

Also, there was some controversy that Crowder actually toned down the "when heaven meets earth with a sloppy wet kiss" of the orginal.

OOps i see the video is down..it was incredibly powerful..some of the story:
http://vodpod.com/watch/703994-the-call-nashville-john-mark-mcmillan-how-he-loves

Tim Karnes said...

Sorry to bear the news, but How He Loves Us is a cover of John Mark McMillan. Amazing lyrics, but not Crowder's... although his are amazing too!

http://www.youtube.com/watch?v=KYu68H7nNGQ

Ken said...

Good to know! I guess he still gets credit for choosing some great lyrics, if not writing them all. :-)

Dave Ketah said...

I think I will go get it now.

mattd624 said...

I like reading your writings, Ken. This review makes me want to go get the album, even though Deanna can't stand his singing style, which, honestly, is an aquired taste. I remember when we would practice to some of his tracks, thinking, "Why does he pronounce words so funny?!" He brings new constitution to the dipthong, doesn't he! But I have always given most musical styles a second and third chance, and I end up with at least an appreciation of the uniqueness of them, and more often I come to enjoy them. Such is the case with David Crowder Band.